Arch

“Arch” Mixed Media; ball point pen, acrylic, gouache, digital

This painting was really just an exploration in mixed media. I had no planning when I started it, I just smeared paint around, hoping for something to come out of it. I think I got a lot of interesting colors and textures because of that!


First Stages

I started with a piece of paper that already had a colorful under-painting of random shapes and brush-strokes. You can see some of it on the edges of the painting and underneath the painting in the first image.

✹first Pass✹

I started by drawing a very rough sketch with ballpoint pen. I think it worked well in this painting, but I honestly wouldn’t recommend using ballpoint pen for the sketch. For some reason it bled through almost every layer of paint I applied in later passes. It didn’t bother me much, because this was an experimental piece, and I was able to remove the lines once I moved to photoshop.

I also painted a very rough idea of values using teal and pale green.

✹second pass✹

Next, I brought in some darker values to define the shapes a bit. I also brought in a some purple and a light pinkish color to contrast with all the teals.

✹third pass✹

I started to paint more precisely, using more darks, and bringing in some greens and light teals to add variation in hue and build depth.

I like to build depth by layering and glazing. It allows the textures and colors of previous layers to show through even in the finished image.

✹Final pass✹

For this final stage of painting traditionally, I added more details with an even darker teal.

I felt that the light pinkish color wasn’t meshing well with the other colors, so I decided to change it to a pale green. You can still see some of the pink coming through, which I liked!


Adding details digitally

First thing I did after scanning the image into Photoshop was to edit the colors. I wanted to make sure the values and contrast were good so that I would have a solid base to work on top of.

A little more color editing. This time using blending modes. I put a green-gold gradient layer and a purple gradient layer, both set to “soft-light”

I used a combination of the lasso tool and a large textured brush with pressure sensitive opacity to start carving out shapes and details.

More progress on the rendering. It’s a slow going process, but I find the results very rewarding!

I didn’t want to render out all of the textures from the original painting, so I was careful to keep the areas I liked untouched!

✹Also a little side note! You can use the spot heal brush tool in photoshop to quickly and effectively remove sketch lines! I used it in this painting in the areas where I thought the ballpoint pen was too heavy or distracting.

Subscibe to my newsletter!

To get updates on new blog posts, make sure to subscribe to my newsletter!

Previous
Previous

Intuitive Painting for Creative Play: Tips and Techniques

Next
Next

Ledge Lady